Zerstreutes Hinausschaun 《窗前恍惚》 (2017)
for soprano saxophone, alto saxophone and orchestra (or piano) premiered by Timothy Sun, Hugo Loi and Macau Youth Symphony Orchestra in Macau Cultural Centre, 1 January, 2018. Programme Notes The work “Zerstreutes Hinausschaun” (Absent-minded Window-gazing), written for soprano saxophone, alto
Zerstreutes Hinausschaun 《窗前恍惚》 (2017)
for soprano saxophone, alto saxophone and orchestra (or piano) premiered by Timothy Sun, Hugo Loi and Macau Youth Symphony Orchestra in Macau Cultural Centre, 1 January, 2018. Programme Notes The work “Zerstreutes Hinausschaun” (Absent-minded Window-gazing), written for soprano saxophone, alto
《裊雄說》The Emperor’s Soliloquy (2017)
for alto saxophone and guitar The Emperor’s Soliloquy, for alto saxophone and guitar, premiered by Rosetta Contemporary Ensemble (Japan) in Kyoto Art Center, 12 February, 2018.
《裊雄說》The Emperor’s Soliloquy (2017)
for alto saxophone and guitar The Emperor’s Soliloquy, for alto saxophone and guitar, premiered by Rosetta Contemporary Ensemble (Japan) in Kyoto Art Center, 12 February, 2018.
《萬里》Miles Upon Miles (2018)
For amplified violin and electronics Miles Upon Miles, for violin and electronics, premiered by Patrick Yim in Hong Kong History Museum, 28 January, 2018. Programme Notes “Miles Upon Miles” is inspired by an exhibition held at the Hong Kong Museum of
《萬里》Miles Upon Miles (2018)
For amplified violin and electronics Miles Upon Miles, for violin and electronics, premiered by Patrick Yim in Hong Kong History Museum, 28 January, 2018. Programme Notes “Miles Upon Miles” is inspired by an exhibition held at the Hong Kong Museum of
Urban Construction (2017)
Urban Construction, for 2 vibraphones, 2 marimba and a dancer, Amphitheatre, HKAPA, presented by Toolbox Percussion, 8 October, 2017. Programme Notes Inspired by Kafka’s short story “On the Tram”, “Urban Construction” depicts the sense of helplessness of people who lives in
Urban Construction (2017)
Urban Construction, for 2 vibraphones, 2 marimba and a dancer, Amphitheatre, HKAPA, presented by Toolbox Percussion, 8 October, 2017. Programme Notes Inspired by Kafka’s short story “On the Tram”, “Urban Construction” depicts the sense of helplessness of people who lives in
《鷹眼》Wind Quintet No.1: Eagle Eyes (2016)
For wind quintet – flute, oboe, clarinet in Bb, horn and bassoon Premiered in Auditorium, Maggagno, Italy on 10 July, 2016 (simplified version) Performed by Mirna Ackers, Helmke Jansen, Jelmer de Moed, Banri Hoshi and Joseph Betts in Leeuwenbergh Church,
《鷹眼》Wind Quintet No.1: Eagle Eyes (2016)
For wind quintet – flute, oboe, clarinet in Bb, horn and bassoon Premiered in Auditorium, Maggagno, Italy on 10 July, 2016 (simplified version) Performed by Mirna Ackers, Helmke Jansen, Jelmer de Moed, Banri Hoshi and Joseph Betts in Leeuwenbergh Church,
String Quartet No.5: Time Motor (2017)
String Quartet No.5: Time Motor, for string quartet, performed by Mivos Quartet, 8 July, 2017, Auditorio del Conservatorio Superior “Joaquín Rodrigo”, Valencia, Spain. Programme Notes “Time Motor” is inspired by the concept of time perception, which refers to the subjective
String Quartet No.5: Time Motor (2017)
String Quartet No.5: Time Motor, for string quartet, performed by Mivos Quartet, 8 July, 2017, Auditorio del Conservatorio Superior “Joaquín Rodrigo”, Valencia, Spain. Programme Notes “Time Motor” is inspired by the concept of time perception, which refers to the subjective
《易安居士》(2011/16)
for baritone and piano Premiered in Parsons Music Limited by Yiu Yun-kwan and Pierre Tang on 7 August 2011. for flute and piano Premiered by Linda Chatterton in DiMenna Center for Classical Music, New York on 8 April, 2017. Programme Notes
《易安居士》(2011/16)
for baritone and piano Premiered in Parsons Music Limited by Yiu Yun-kwan and Pierre Tang on 7 August 2011. for flute and piano Premiered by Linda Chatterton in DiMenna Center for Classical Music, New York on 8 April, 2017. Programme Notes
