City Beats (2019)

for harpsichord, electronics and video Premiered by Kawai Chan, harpsichord at Recital Hall, Hong Kong Baptist University on 5 April, 2019 during “The Keyboard of the 21st Century” conference. Awarded winner of “Best Music Video” in Eurasia International Monthly film

City Beats (2019)

for harpsichord, electronics and video Premiered by Kawai Chan, harpsichord at Recital Hall, Hong Kong Baptist University on 5 April, 2019 during “The Keyboard of the 21st Century” conference. Awarded winner of “Best Music Video” in Eurasia International Monthly film

《終止失控》Halt Fail (2018)

For saxophone quartet Purchase here. Performed by Opus a la Carte Collective on 6 July, 2018 in Sheung Wan Civic Centre. Performed by Opus a la Carte Collective on 11 August, 2018 in Lee Foundation Theatre, Singapore. ibid. 12 August,

《終止失控》Halt Fail (2018)

For saxophone quartet Purchase here. Performed by Opus a la Carte Collective on 6 July, 2018 in Sheung Wan Civic Centre. Performed by Opus a la Carte Collective on 11 August, 2018 in Lee Foundation Theatre, Singapore. ibid. 12 August,

Zerstreutes Hinausschaun 《窗前恍惚》 (2017)

for soprano saxophone, alto saxophone and orchestra (or piano) premiered by Timothy Sun, Hugo Loi and Macau Youth Symphony Orchestra in Macau Cultural Centre, 1 January, 2018. Purchase here Programme Notes The work “Zerstreutes Hinausschaun” (Absent-minded Window-gazing), written for soprano

Zerstreutes Hinausschaun 《窗前恍惚》 (2017)

for soprano saxophone, alto saxophone and orchestra (or piano) premiered by Timothy Sun, Hugo Loi and Macau Youth Symphony Orchestra in Macau Cultural Centre, 1 January, 2018. Purchase here Programme Notes The work “Zerstreutes Hinausschaun” (Absent-minded Window-gazing), written for soprano

《裊雄說》The Emperor’s Soliloquy (2017)

for alto saxophone and guitar The Emperor’s Soliloquy, for alto saxophone and guitar, premiered by Rosetta Contemporary Ensemble (Japan) in Kyoto Art Center, 12 February, 2018.

《裊雄說》The Emperor’s Soliloquy (2017)

for alto saxophone and guitar The Emperor’s Soliloquy, for alto saxophone and guitar, premiered by Rosetta Contemporary Ensemble (Japan) in Kyoto Art Center, 12 February, 2018.

《萬里》Miles Upon Miles (2018)

For amplified violin and electronics Purchase here. Premiered by Patrick Yim in Hong Kong History Museum, 28 January, 2018. Perform by Patrick Yim and Austin Yip in Playhouse, Abrons Art Center, New York, 18 July, 2018 during New York City Electroacoustic

《萬里》Miles Upon Miles (2018)

For amplified violin and electronics Purchase here. Premiered by Patrick Yim in Hong Kong History Museum, 28 January, 2018. Perform by Patrick Yim and Austin Yip in Playhouse, Abrons Art Center, New York, 18 July, 2018 during New York City Electroacoustic

Urban Construction (2017)

Urban Construction, for 2 vibraphones, 2 marimba and a dancer, Amphitheatre, HKAPA, presented by Toolbox Percussion, 8 October, 2017. Performed by Toolbox Percussion on 23, 24 November, 2018 at Theatre, Asia Culture Center (Gwangju, Korea). Purchase here Programme Notes Inspired by

Urban Construction (2017)

Urban Construction, for 2 vibraphones, 2 marimba and a dancer, Amphitheatre, HKAPA, presented by Toolbox Percussion, 8 October, 2017. Performed by Toolbox Percussion on 23, 24 November, 2018 at Theatre, Asia Culture Center (Gwangju, Korea). Purchase here Programme Notes Inspired by

《鷹眼》Wind Quintet No.1: Eagle Eyes (2016)

For wind quintet – flute, oboe, clarinet in Bb, horn and bassoon Premiered in Auditorium, Maggagno, Italy on 10 July, 2016 (simplified version) Performed by Mirna Ackers, Helmke Jansen, Jelmer de Moed, Banri Hoshi and Joseph Betts in Leeuwenbergh Church,

《鷹眼》Wind Quintet No.1: Eagle Eyes (2016)

For wind quintet – flute, oboe, clarinet in Bb, horn and bassoon Premiered in Auditorium, Maggagno, Italy on 10 July, 2016 (simplified version) Performed by Mirna Ackers, Helmke Jansen, Jelmer de Moed, Banri Hoshi and Joseph Betts in Leeuwenbergh Church,