Author Archives: austinyip

《古都》Koto (2019)

For alto sax, two guitars and left hand piano Commissioned by Rosetta Contemporary Ensemble in 2019 Premiere by Rosetta Contemporary Ensemble on 10 August, 2019 at Kyoto Art Centre, Japan. (1pm, 1630pm) see here Tadayoshi Kusakabe, Alto Saxophone Shibata Takaaki,

《古都》Koto (2019)

For alto sax, two guitars and left hand piano Commissioned by Rosetta Contemporary Ensemble in 2019 Premiere by Rosetta Contemporary Ensemble on 10 August, 2019 at Kyoto Art Centre, Japan. (1pm, 1630pm) see here Tadayoshi Kusakabe, Alto Saxophone Shibata Takaaki,

黑 Black (2019)

for SATB Chorus premiere by Asia Pacific Youth Choir on 23, 24 July, 2019 at Concert Hall, Hong Kong Cultural Center during Asia Pacific Choral Summit 2019 conducted by Vivian Ip (23 July) conducted by Chris Cheng, Andrew Hon, Sanders

黑 Black (2019)

for SATB Chorus premiere by Asia Pacific Youth Choir on 23, 24 July, 2019 at Concert Hall, Hong Kong Cultural Center during Asia Pacific Choral Summit 2019 conducted by Vivian Ip (23 July) conducted by Chris Cheng, Andrew Hon, Sanders

也斯說 Says Yasi (2018)

for SATB chorus 白日 White Sun 未昇 Rise Not 舊市空間 Old City Space premiered by Hong Kong Baptist University Choir, Hong Kong Baptist University Women’s Chorus and Cantoría Hong Kong on 8 April, 2019 at Concert Hall, Hong Kong Cultural

也斯說 Says Yasi (2018)

for SATB chorus 白日 White Sun 未昇 Rise Not 舊市空間 Old City Space premiered by Hong Kong Baptist University Choir, Hong Kong Baptist University Women’s Chorus and Cantoría Hong Kong on 8 April, 2019 at Concert Hall, Hong Kong Cultural

Project: Abstract Picasso – Crying Woman (2019)

videoart for all Programme Notes Dots and lines are often regarded as the most important element to drawing. When this idea is applied to language, we can imagine how words are broken into syllables, or even into smaller fragments. This

Project: Abstract Picasso – Crying Woman (2019)

videoart for all Programme Notes Dots and lines are often regarded as the most important element to drawing. When this idea is applied to language, we can imagine how words are broken into syllables, or even into smaller fragments. This

Marimba Concerto No.1: Road Business 第一馬林巴琴協奏曲《路》(2019)

for marimba and percussion quintet (or piano) Marimba Concerto No.1: Road Business, premiered by Jack Van Geem and Toolbox Percussion on 1 June 2019 at Fort Mason Centre, San Francisco, US during the San Francisco International Arts Festival (SFIAF) Programme

Marimba Concerto No.1: Road Business 第一馬林巴琴協奏曲《路》(2019)

for marimba and percussion quintet (or piano) Marimba Concerto No.1: Road Business, premiered by Jack Van Geem and Toolbox Percussion on 1 June 2019 at Fort Mason Centre, San Francisco, US during the San Francisco International Arts Festival (SFIAF) Programme

Violin Concerto No.1: Generation 第一小提琴協奏曲《代》(2019)

for violin and symphonic band (or piano) Violin Concerto No.1: Generation, premiered by Hong Kong Festival Wind Orchestra and Patrick Yim on 26 May, 2019 at Jockey Club Auditorium, Hong Kong Polytechnic University. Programme Notes Violin Concerto No.1: Generation is

Violin Concerto No.1: Generation 第一小提琴協奏曲《代》(2019)

for violin and symphonic band (or piano) Violin Concerto No.1: Generation, premiered by Hong Kong Festival Wind Orchestra and Patrick Yim on 26 May, 2019 at Jockey Club Auditorium, Hong Kong Polytechnic University. Programme Notes Violin Concerto No.1: Generation is

City Beats (2019)

for harpsichord, electronics and video Premiered by Kawai Chan, harpsichord at Recital Hall, Hong Kong Baptist University on 5 April, 2019 during “The Keyboard of the 21st Century” conference. Awarded winner of “Best Music Video” in Eurasia International Monthly film

City Beats (2019)

for harpsichord, electronics and video Premiered by Kawai Chan, harpsichord at Recital Hall, Hong Kong Baptist University on 5 April, 2019 during “The Keyboard of the 21st Century” conference. Awarded winner of “Best Music Video” in Eurasia International Monthly film